Interlude
A vocabulary of materials, slowly gathered.
The studio does not chase trends, nor does it warehouse finishes. Over fifteen years a small
vocabulary has been gathered — used often, understood deeply, made in our own workshop when
the brief asks for it.
Timber arrives as European oak, Burmese teak and the occasional figured walnut —
selected board by board at the MacPherson workshop, where our four master craftsmen run an
8,000 sqft floor that produces custom joinery in ten to fourteen days. Lime-wash plaster
is hand-trowelled in three to five coats, never spray-applied; the surface keeps the mark of the
hand. Stone is ordered as full slabs — honed travertine, veined Calacatta, occasionally
a quiet green serpentine — and book-matched on site.
Textiles are specified from a short list of mills in Belgium, Japan and northern
India: hand-loomed wool, heavyweight linen, the occasional raw silk. Metalwork is
patinated brass or blackened steel, fabricated locally in Geylang. Nothing is imported finished
when it can be made ten kilometres from the studio.
— Materials & Specification Library, Armenian Street, est. 2017.